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  • Sword of the Beast: Rebel Samurai Cinema - The Criterion Collection
    Television producer and director Hideo Gosha, instrumental in the success of Fuji TV’s popular Three Outlaw Samurai show, was drafted by Shochiku to create a feature-length, theatrical film version of the chanbara drama Gosha’s startlingly assured debut as a film director, Three Outlaw Samurai (1964), followed, starring Tetsuro Tanba
  • Nakadai Tatsuya on the Golden Age of Japanese Film: Chapter Seven
    Originally a director for Fuji TV, Gosha Hideo first got his name out there with the 1960s TV series Three Outlaw Samurai Gosha made the series into a huge hit by developing the sound effects of his sword fights, giving them the sort of realistic intensity one might expect from a Kurosawa movie, even when viewed on a tiny TV screen
  • The Deuce Notebook: The Samurai Cinema Slaughter of ‘74
    The Toho Cinema in New York was long gone by this time, but the theater was back to its original name (the Bijou) and still running Japanese movies, including samurai double features and the occasional yakuza pic like Hideo Gosha's The Wolves and Toei's Fury of Karate Monk (a k a Blind Yakuza Monk and Whipmaster), starring Bunta Sugawara
  • ‎Yakuza Ladies (1986) directed by Hideo Gosha - Letterboxd
    It's unfortunately a trope that is seen far too often in yakuza films It's astonishing that this wretched misogynistic plot point was still being used in the '80s This is especially surprising given that the film was directed by Hideo Gosha, who is often praised for his strong female characters I didn't enjoy the film much in other respects
  • 15 Underrated Samurai Movies You Need To Watch - Film
    The most unsung of chanbara directors may be Hideo Gosha His most famous film internationally is 1964's "Three Outlaw Samurai," a staple of samurai movie marathons but there is much more to
  • ‘Yōkai Monsters’ Collection (1968–2005) • Blu-ray [Arrow Video]
    Two rather good examples would be Akira Kurosawa’s Yojimbo (1961), and Hideo Gosha’s Three Outlaw Samurai (1964) — as both films share many of the same ingredients, but 100 Monsters breaks
  • Outlaw Masters Of Japanese Film [PDF] [5l21591gorm0] - E-book library
    Although in 1998 Kudo directed episodes of a television series about the famous samurai assassins group, the Shinsengumi, 1997’s Tale Of A Scarface was the last feature film he completed before his death in 2000 Back then all theaters showed double features The first film would be 90 minutes or so, then the second feature would run
  • The 20 best Yakuza films - The Genre Junkie
    Uninitiated by his knowledge of filmmaking, Koji becomes entangled in the perilous Yakuza world He learns about “F**k Bombers” by chance and offers them the job of directing the film As a result, the group decide to take advantage of the opportunity to document the long-running Yakuza conflict between Muto and Ikegawa
  • The Realism of Fantasy: A Tribute to Fujio Morita - Midnight Eye
    The late Fujio Morita (1927 – 2014) was among Japan’s cinema’s greatest cinematographers, alongside Kazuo Miyagawa (Ugetsu) and for instance Chikashi Makiura (Lone Wolf and Cub) He straddled the Golden Age of the major film studios and the independent era following the collapse of Daiei in 1971, lensing films for such directors as Kenji Misumi, Kazuo Mori, Hideo Gosha (with whom he made
  • Japanese female actors to remember - IMDb
    Tanaka Kinuyo was a highly regarded and prolific actress best known for her films with director Mizoguchi Kenji She was immersed in the world of film having received her start in the world of entertainment at age fourteen, being a filmmaker herself, being the cousin of director Kobayashi Masaki and, very much like Hara Setsuko and Ozu Yasujiro, being anecdotally romantically linked with the





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